Posts Tagged ‘Writing’

FAQ: Are your books funny?

Thursday, June 10th, 2010

Heigh ho! You have 5 days to enter the Tardy Contest to win ARCs of The Body at the Tower. Don’t be late! (har har)

Also, I’m featured at Books on the House this week. Enter there to win copies of A Spy in the House plus an Agency t-shirt.

When Misa Ramirez of Books on the House interviewed me, she asked, “Are your books serious, or does your wit come through?” I’m not really happy with the answer I gave then, so I thought I’d try again here. Ahem.

Long answer:

The Mary Quinn novels are dramatic novels that include comic moments. I write them in the tradition of two serious genres (historical fiction, mystery novels) but also joke about the expectations and conventions of those categories.

Having said that, one of the delightful things about novels is that nobody reads one the same way. What’s funny, dramatic, bland, or ridiculous to me will be quite different to you, dear reader. So while I wrote some scenes with the intention of providing comedy, some readers won’t find them funny. Some scenes, which I consider serious, will seem absurd to others. But it doesn’t really matter whether I think my books are funny. The question is, do you?

Short answer:

No.

Also, thoughts on author branding

Did you read Maureen Johnson’s Manifesto? It was much disseminated on Twitter this week but if you don’t want to click over, here it is in brief: Maureen Johnson spoke at a conference where her co-panellist endlessly declared, “I am a brand. I am a brand. I am a brand.” MJ begs to differ: she is just herself and uses social networks to have conversations and create connections with people. She also likes loves snacks.

MJ’s position is entirely reasonable and sane. But what really stayed with me was the unnamed co-panellist’s proud and frequent declaration: “I am a brand.” It’s one of the saddest things I’ve read lately. Not: I am a writer. I am a thinker. I am creative person. Not even, I am a lover, a believer, a human being with valuable and passionate relationships. No, the co-panellist (as depicted by Maureen Johnson) has reduced herself to a few key search terms and the smoothest veneer possible.

I take it back: it’s not one of the saddest things I’ve read lately. It’s one of the most grotesque things I’ve ever read.

I’m off to fetch MJ a snack.

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Happy June!

Thursday, June 3rd, 2010

Hello. Would you like an ARC of The Body at the Tower? Enter to win one here.

I feel oddly unencumbered at the moment because I’ve just delivered the manuscript for the third MQ novel, The Traitor and the Tunnel, along with the proofread galleys for the UK ed of book 2, The Body at the Tower. It’s a lovely, surreal sort of freedom and much of it involves wondering, “What shall I write next?”

This might be my favourite part of the writing life: cooking up the next project. Once I’ve dealt with the mundane things – cut hair, clear desk, re-design filing system – I get to research and ponder and play and puzzle. Does that sound familiar to all of you? Or is there some other aspect you find more appealing?

Happy June, everyone!

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Writing & reading

Thursday, April 15th, 2010

For the last couple of weeks, I’ve been crashing inelegantly towards the end of the third Mary Quinn novel, The Traitor and the Tunnel. I’m seeing progress, at last, and it feels good. I can tell I’m near because I’ve started making lists of things to do and books to read A.D. (After Delivery). Now, this is still a couple of weeks off, but it’s never too early to list. So far, I’ve got (in no particular order):

YA & genre:
Perchance to Dream, by Lisa Mantchev
The Hunchback Assignments, by Arthur Slade
In the Serpent’s Coils, by Tiffany Trent
Hearts at Stake, by Alyxandra Harvey
The Weed that Strings the Hangman’s Bag, by Alan Bradley

Sairius Littricha:
Empire of the Sun, by J G Ballard
Changing My Mind, by Zadie Smith (yes, a foray into non-fiction)
Romola, by George Eliot

So, bookish friends – what am I missing? What else would you recommend?

This week, in reviews:

Lynn Rutan of Bookends (Booklist’s children’s & YA blog) calls Spy “terrific… intriguing… enticing” and demands, “More more!”

Teens Read Too gives Spy a Gold Star Award for excellence! Reviewer Jennifer Rummel says it’s “pure magical entertainment. A great feisty heroine, lots of danger, plenty of mysteries to untangle, and a little romance creates a wonderfully perfect first edition to a new series.”

At Pipedreaming, Vikki VanSickle says, “A Spy in the House is the love child of Libba Bray’s Gemma Doyle trilogy and Ally Carter’s Gallagher series and then some”!

Thank you so much, you enthusiastic librarians and booksellers. I’m honoured.

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Blog tour: do you eat dessert first?

Friday, March 5th, 2010

If you were a spy, what would YOU do? Tell me to win loot!

My book launch party is on Tuesday, and you are invited.

I wrote a quiz for writers that Stephanie Burgis calls “freakily accurate”. Eating and writing – they are connected! The quiz is up at Teenreads.com So… do you eat dessert first?

And on the 6th day of my blog tour, I’m Leslie’s guest at That Chick that Reads. She interviews me here, and reviews Spy here. Thank you for having me to visit, Leslie, and for encouraging me to talk about my freaky elbows (among other things). And thanks for the 5-paw rating!

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“Where do you work?” & bookplates

Thursday, January 7th, 2010

I used to be one of those coffee shop people, hunched over a black coffee and rattling away at the keyboard. But no longer! For I now have a study, and it’s a delicious shade of blue (Benjamin Moore’s Yarmouth Blue, if you care), and all I have to do now is try to keep it as zen as it appears here.

the new study

Hah.

In other news, I have BOOKPLATES! These are basically large & fancy stickers with a blank space for personalization. If you’d like me to sign or inscribe your copy of The Agency but don’t think you’ll see me in person for a while, feel free to request one. You need to tell me exactly what you want the bookplate to say: just my signature? “For Pinkie, a goddess amongst mortals”? “To the winning eBay bidder”? As you can see from the foregoing examples, I’m rubbish at clever dedications, so it’s up to you. The design looks like this:

bookplate

I’m a sucker for old botanical drawings. And weeds. So this was pretty much a foregone conclusion. I hope you like it, too!

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“Where do you get your ideas?”

Wednesday, November 25th, 2009

The short, annoying answer is, “from my head”. While that’s true, I realize it’s neither helpful nor illuminating, so I’ll try to be a bit more specific.

If you and I were to go to the same film/lecture/bare-knuckle boxing match, we’d notice different details. Then we’d interpret and prioritize our experiences in different ways. So everything I’ve ever written comes from some experience of mine – something I read or saw or overheard. But it all gets processed in the back of my brain and spewed out later as something quite transformed. As the novelist Frances Trollope said, “Of course I draw from life – but I always pulp my acquaintances before serving them up. You would never recognize a pig in a sausage.”

mmm... sausages

mmm... sausages*

To get even more specific:

  • I set A SPY IN THE HOUSE during the Great Stink of 1858 after reading about Benjamin Disraeli fleeing the House of Commons with a handkerchief over his nose, so ghastly was the stench
  • I made The Agency a women’s detective agency because I wanted to write about an elite, exciting, all-female institution. It was a reverse-inspiration, since the prestigious organizations and clubs of the period were generally all-male.
  • I made Mary’s father a sailor after reading an academic article (Laura Tabili’s “‘Women of a Very Low Type’”) that talked about the children of common-law marriages between sailors and poor women in Liverpool

When I answered this question in a high-school presentation, the follow-up question was, well, how is that different from plagiarism? Great question! Plagiarism is stealing specific ideas and/or language from others, and presenting them as your own. In these examples, I’ve been inspired by specific things but used them as jumping-off points for my own ideas. I would never claim to be the originator of those first, inspirational anecdotes, facts or articles. And, obviously, I describe my own ideas in my own words.

All this brings us to a cliche that’s completely true: there are no new ideas. Other people have written about the Great Stink, women’s detective agencies (though I didn’t read Dorothy L. Sayers until after I’d written the first draft of SPY) and orphaned sailor’s daughters. So if there’s a bottom line, it’s this:

  • all ideas come from somewhere
  • keep track as best you can
  • give credit to your inspirations and your sources
  • yes, the ideas from “from my head”

*The butcher’s diagram comes from Zazzle, where you can buy it as a postcard.

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On writer’s block (plus contest winners)

Thursday, November 12th, 2009

One question I’ve heard a lot recently is, “What do you think about writer’s block?” Oh, writer’s block. It seems to be a bit like Santa Claus, or Love at First Sight, or the Perfectibility of Humankind: either you believe in it, or you don’t.

Many writers I admire suffer, on occasion, from writer’s block. One of my favourite living novelists, Beryl Bainbridge, found herself unable to write after 2001’s According to Queeney (apparently, she quit smoking and it destroyed her routine). I held my breath for several years, but Bainbridge is supposed to be back this year with The Girl in the Polka Dot Dress. I live in hope. Other prolific, highly successful writers simply don’t believe in it (writer’s block, not chain-smoking!). In her recent profile in the New Yorker, Nora Roberts shared her golden rule of writing: “Ass in the chair”. I’m tempted to add, “No internet connection”.

In my experience, writer’s block is actually a fear of imperfection. If you can’t write that first sentence (that first paragraph, that first draft) because you’re trying to come up with the perfect first sentence, you’re “blocked” – not because you can’t write, but because you don’t want to write anything short of a polished, elegant, shapely final manuscript. Sadly, THIS IS IMPOSSIBLE.

So go ahead and give yourself permission to write imperfectly, clumsily, downright badly. Words on the page can always be altered – but only once you’ve got something to edit. So write. Your first sentence will probably be excised, and your first paragraph chopped up and rearranged. Your first attempts will bear only scant resemblance to your final draft. You’ll go back to it weeks or months or years later, and be embarrassed by your first draft. But so what? You wrote it down, cleaned it up, polished it to a high shine, and here you are.

Emphatically not blocked.

.

On an entirely different (though also triumphal) note: congratulations to Lauren Beazley and Eleitta Brazeau of Regiopolis Notre Dame HS, winners of the limited-edition, not-for-sale-anywhere A is for Agency t-shirts. Please let me know what size you’d like (S, M, L or boy’s M or L) and I’ll send them right out.

Next week: more on writing

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