I know – it doesn’t look that special, does it? But this is the British Library, aka my spiritual home in London. I spent 6 joyous months there researching my PhD thesis and even now, when I walk through the doors, I smile grin like a lunatic. That may sound a bit deranged, but come on – where else might you pass an antique printing press on your way to the loo? So this was my first stop when I got off the train at Euston. I didn’t have anything to look up this time, but went in anyway to pay my respects. (And if you’re looking for a clever gift for a bookish person, you could do a lot worse than adopting one of their books.)

I met my editor, Mara Bergman of Walker Books, for lunch. Her office is on the South Bank in a converted Victorian factory.

The sign says, "Horatio Myer & Co Ltd, bedstead manufacturers"

We had a lovely lunch with Katie, a cover designer, and Emily, Mara’s editorial assistant. Mara is a wonderful editor and she’s also an award-winning picture-book author! She very generously gave me her latest book, Oliver Who Travelled Far and Wide, and it’s already become my son’s new favourite book.

Mara, holding some random title, with Katie & Emily

After lunch I met Patrick Insole, who designed the gorgeous covers for Spy and Body. I really, really, really love Patrick’s work but that didn’t stop me from coercing him into taking a picture. I’m told he detests photos. Soz, P.

After meeting several other Walkerites, all of whom were absolutely lovely and passionate about books (hello Jane and Emma and Sean!), I wandered across to the Albert Embankment, where the weather finally matched my mood.

That sky looks fake, I know, but I used no filters and haven't tweaked anything on this image.

The following day I met my agent, Rowan Lawton, for breakfast. I adore talking with Rowan – she never fails to be inspiring and energizing. We talked about the next book, and the next, and then about some wacky ideas I was kicking around. It was brilliant.

I spent the rest of my time wandering around Bloomsbury, researching the setting for my next novel. If there’s a happier job in the world, I have yet to hear of it.

And now, book news: the blog tour for The Agency 2: The Body at the Tower starts on August 2 at the Story Siren! My theme this time is Notorious Victorians – oh, yes.

I’m in England with my family! Now that we’ve all adjusted to local time, we’re tourist-ing it up. We began with a steam-train expedition on the East Lancashire Railway, which was perfect on a rainy day:

The weather helped towards a Victorian atmosphere.

It was a diesel engine on the way out but we came back by steam.

Waiting for a heavily laden tea-trolley to trundle by.

The East Lancs Railway is run primarily by volunteers – especially impressive when you realize that it runs every weekend throughout the year, with extra trains in the holiday season.

A couple of days later, we went to the newly restored Clitheroe Castle. The last time I was there, it was still a ruin.

Clitheroe Castle

The castle keep dates to Norman times.

The museum entrance - a bit of a jolt, when you round the corner.

Today, I’m in London. More anon.

This week, I can finally share some wonderful news from my UK publisher, Walker Books. In September, Walker will publish the second Agency novel, The Body at the Tower, with a redesigned cover:

from Walker Books, September 2010

But I just recently had confirmation that they’ll be reissuing A Spy in the House at the same time, with a matching redesigned cover. What do you think of it?

to be re-released in September 2010!

Me? I think it’s perfect.

In other news, YA historical novelist Marie-Louise Jensen highlights Spy at An Awfully Big Blog Adventure, calling it her “favourite unexpected read of last year” (it came out in the UK last April).

Flashlight Worthy and Steph Su combined forces to recommend Spy on their list of YA Novels Featuring Women from Another Era (it’s #2 on the list!).

And GAL Novelty spotlighted my recent blog tour with praise so effervescently shy-making that I can’t possibly repeat it myself. (But I’m not above linking to it, oh no…)

Thank you so much for your enthusiasm and support, friends and readers!

I finished my novel (and that’s a whole different series of questions which I’ve answered in parts, week by week, and will continue to do so and collect as FAQs). Once I had a complete, polished manuscript, I wrote a query letter for literary agents. I won’t get into query letters here because lit agent Nathan Bransford has already done a splendid job explaining them. Kristin Nelson, another impossibly chipper agent, posts further examples at Pub Rants. So I shined up my query and my husband, Nick, emailed it to six literary agents. Why not send it myself? Partly because I am thin-skinned and an obsessive email-checker at the most relaxed of times, and partly because Nick is lovely, amazingly supportive of my writing, and utterly fearless with stuff like this.

I got lucky: in two days I had six replies, all of which were requests for more. In five cases, “more” was a one-page synopsis and the first three chapters; the sixth agent, from William Morris, simply said, “I’d love to read it”, so I sent the full ms. A week later, this agent’s assistant emailed to say that she was halfway through, “really enjoying it”, and would I let her know if I had interest from other agencies in the meantime. (I cannot tell you how many times I stared at the words “really enjoying it” and wondered what secret code they masked.) A couple of days later, I heard from the hard-working assistant again: the agent thought the book had merit but didn’t like it enough to represent it, so she’d passed it on to a colleague, Rowan Lawton. I did a tentative happy dance.

When Rowan emailed me a couple of weeks later, she had some questions and detailed notes for me. The ms I’d submitted was for an adult historical mystery. Rowan, however, pointed out that it was really a coming-of-age story and asked if I’d consider revising it as a YA novel. I was completely surprised. But when I thought about it, I realized that she was right. Those changes would make it a better novel.

I cut 30,000 words (paring the ms from 95,000 to 65,000 words) and compressed the plot. I changed the main characters’ ages – Mary Quinn went from 21 to 17, and James Easton from 29 to 19. One thing I was careful NOT to do was simplify or lighten the novel’s themes and ideas. I hate being talked down to – always have – and would despise myself for doing so to others. Rowan and I did two edits together before we were ready to go out on submission. At this point, I officially signed with William Morris.

My job now was to buckle down, write the sequel, and try not to obsess too much; I wasn’t the one selling the book. This was, shall we say, challenging. But a few weeks later, I opened an email (I’d been on holiday with my extended family) from Rowan that said, “I have some great news for you! Do give me a call…” ARGH. It was a Friday afternoon in Vancouver and thus darkest night in London. That was one of the longest weekends of my life. Eventually, Monday came around and I heard the News: Walker Books wanted World English rights for three novels. (I have carefully resisted the use of exclamation points here, in case I never stop. But they’re there, in my head.)

And that’s how Spy came to be published.

The Body at the Tower (Walker Books, September 2010)

I can’t decide what I like best: the period-perfect font? The way the Houses of Parliament are backlit to just the right degree of spooky/familiar? The “aged” effect around the edges? Maybe it’s just the sum total. In any case, I’m thrilled to bits (as if that wasn’t quite obvious.) And the designer, Patrick Insole (who did the cover for SPY, too), kept the old logo in the bottom right hand corner – YAY!

My second announcement today is that my friend Sarah is a genius. Specifically, she’s a paranoid-yet-deeply-rational genius who’s created a website that displays the contents of her brain in a terrifying yet witty manner. She is The Catastrophizer and I suggest you study with her forthwith.