Posts Tagged ‘UK’

A Spy in the House, redesigned!

Wednesday, January 16th, 2013

Hello, friends! I just received an absolutely wonderful surprise in the mail. (If you’re thinking that authors often receive delightful surprises in the mail, you’re right. As if we need another reason to feel privileged…) It was a bulging, oversized sack containing a envelope full of this:

Yes, that image is massive. Can you tell I’m excited? Ideally, I’d like to be able to see it from the moon.

This is the redesigned cover that’s now on the UK and Australian editions of A Spy in the House. The full cover looks like this:

I love everything about this cover: colour, font, background image, the Mary Quinn logo that looks like a cameo, the rubbed and weathered effect around the corners… I have one front and centre in my study and every time I glance at it, I smile.

The old cover, the first UK cover, looked like this:

I still think this is a strong cover. The gloves glow, the fonts are well chosen, and I love the map of London in the background. It’s also a great homage to classic mystery design (think Agatha Christie), which often shows key plot elements in a kind of still-life.

But this one? This one is a stunner. I’m so glad that my UK publisher, Walker Books, redesigned it for this new printing. And I’m ecstatic to know that it’s now out there, in bookstores.

What do you think? Thoughts, impressions, preferences?

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Faster, Higher, Stronger

Wednesday, August 1st, 2012

So, the Olympics. As cynical as we’ve become about doping, fiscal and political scandals in host cities, and the sheer pomp of the Games, the athletic performances themselves are truly stirring, skin-prickling stuff. And the Olympics hold a special kind of interest in my family because my uncle, Cheah Tong Kim, represented his country, Malaysia, in swimming at the 1964 Tokyo Olympics. Over the past few days, watching highlights from the London Games got me thinking back to the birth of the modern Olympics. I knew they were a late-Victorian inspiration that resulted in the 1896 Games in Athens. But, as it turns out, there’s a lot I didn’t know about the inspiration behind the modern Olympic Games.

Before the Victorian era, there was a modern attempt to recreate the Olympic Games: the L’Olympiade de la République, which was held for 3 years in revolutionary France (1789, remember?). It makes sense: egalitarianism, a chance to compete physically, rather than socially or economically – it was a perfect kind of celebratory contest for revolutionary times.

Then came a lapse of about 60 years, which also makes sense: Victorian intellectuals greatly admired classical literature and culture, and it’s logical that they wanted to emulate the famous athletic contests of the ancients. But the French Revolution scared the pants off Western European monarchies, so there had to be a lapse of a few generations between the L’Olympiade de la République and any safe imitation.

So it wasn’t until 1850 that an English surgeon called William Penny Brookes established an Olympic Games in Wenlock, Shropshire. According to wikipedia, his aim was the “moral, physical and intellectual improvement of the inhabitants of the town and neighbourhood of Wenlock and especially of the working classes” (italics mine). That sort of paternalistic do-gooding couldn’t really be more Victorian.

There were other English Olympics: in Liverpool, for a few years in the 1860s. One at the Crystal Palace in London in 1860. But it was the Wenlock Olympics that really became a strong annual tradition. And in 1890, Baron Pierre de Coubertin, the creator of the modern Olympic Games, visited Wenlock and was inspired to establish the International Olympic Committee. Extraordinary, isn’t it?

How do you like the sound of Wenlock 2050, on the two-hundredth anniversary of their first Olympic Games?

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My favourite things

Wednesday, July 18th, 2012

Hello friends! This week, I thought I’d share with you some of my favourite things about the English countryside:

1. Randomly occurring sheep.

2. Winding lanes.

3. Dry-stone walls. One day, I'm going to learn how to build them. Seriously.

4. The intense green-ness of it all. William Blake was precise when he wrote about "this green and pleasant land".

What are your favourite things about the countryside?

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The Omnibus Edition

Wednesday, July 11th, 2012

Hello, friends. We’re currently visiting family in Lancashire, England, and I have been lazy with the camera. That is, I’ve taken lots of photos of cousins and aunties and old friends, but not much that people outside the family would want to see. However, the other day we found ourselves at the Museum of Transport in Manchester.

I was expecting a bus or two, maybe a replica stagecoach, and some dioramas. Well. Was I ever mistaken. The museum is a former bus garage and it contains about seventy-five buses. Yes, they are very well parked, but still! Massive! The whole place reeks of diesel, there’s an open-topped fire engine that remained in service well into the 1960s, and most of the buses appear to be still running, since museum staff and volunteers take them out on a regular basis for shows and events.

And then I saw this:

It’s an omnibus from the 1890s. The plaque said it was drawn by 2 horses, or 3 up hills. (I love that. Can you picture them pulling over and harnessing a third horse before each hill?) Inside, it has 2 long bench seats running from front to back, and that precarious-looking staircase on the right leads to several rows of forward-facing seats on the open top. The ride must have been bumpy, as those are wooden wheels. And I’m fascinated by the advert for F. Robinson’s Light Bitter Ale. I tend to think of billboards as twentieth-century inventions, but this is a fantastic reminder that the nineteenth century was also a golden age of advertising.

What have you been up to, this week?

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I’ll never tire of sewers

Wednesday, May 9th, 2012

Really, what’s not to love? That’s why I recommend this BBC radio program about the desperate state of London’s current sewer system. In the late 1850s (immediately following the action of A Spy in the House), Victorian engineer Joseph Bazalgette designed and built a modern sewage system for the city of London. 150 years later, London has outgrown it, and debate now rages about what to do next.

Every time there’s a heavy rain, the sewers overflow into the river itself. The river’s full of refuse. The fish are dying. All they need now is an unusually hot May, and the Great Stink of 1858 could replay itself.. The program is called Costing the Earth.

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A women’s detective agency? Why?

Wednesday, May 2nd, 2012

Hello, friends! I’m guest-blogging this week at Bites, where Donna asked me why I chose to write about a women’s detective agency in Victorian London. The short answer? I love bright and shiny anachronisms. The longer answer is here.

And did you know that this coming week, May 5 – May 12, is Canadian Children’s Book Week? In celebration of children’s books, my friends at Young Kingston have organized a group signing at Novel Idea Books on Sunday, May 6. I’ll be there from 3 to 4 with the award-winning Ann-Maureen Owens. Hope to see you there!

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The Traitor in the Tunnel!

Wednesday, October 19th, 2011

Hello, friends! I’m so thrilled today to share with you the North American cover for The Traitor in the Tunnel:

Those of you with an editorial eye will now be wondering, “The Traitor and the Tunnel” or ” The Traitor in the Tunnel”? Why are you so inconsistent, Ying? Don’t you know the title of your own book? In fact, there are two slightly different titles. I originally chose “and” because I wanted the title to allude to different traitors and different tunnels, and that’s what we did at Walker Books for the UK edition. But the fine editors at Candlewick Press felt that “in” sounded better – faster, snappier, cleaner. And once it was pointed out to me, I agreed. So the North American edition is The Traitor in the Tunnel. Did you think it was possible to agonize this much over a simple conjunction or preposition? ;)

I also wanted to share with you an absolutely lovely review of Traitor by Niranjana Iyer of Brown Paper. Iyer says, “The richness of detail, the intelligent writing, the intricate plots, and superbly-drawn characters elevate this series miles above most YA offerings on the shelves today; I’m delighted to hear this trilogy now has a fourth installment in store for its many devotees.” Thank you so much, Nina!

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A history of violence

Thursday, August 11th, 2011

Hello, friends. I’ve been thinking about England, recently, and specifically about the riots in London and Manchester – cities where I’ve lived and where I have family and friends. Today I want briefly to mention an angle that hasn’t been explored much in the media, and which always struck me when I lived in English cities: the constant shadow of violence that exists in parts of each city.

When I lived in the UK, I was sometimes acutely aware that a fight could break out at any moment. Not everywhere and always, of course, but at certain times of day, in particular parts of the city, in the leadup to or aftermath of some events. At first, I wondered if I was paranoid, or merely a timid Canadian who was reading too much into a situation. But my British spouse confirmed my misgivings. He has a vivid childhood memory of sitting on a train while football hooligans paraded up and down the carriages, chanting and shouting and drinking. He and his family felt tense and helpless, just waiting for something to kick off. It didn’t – that day. But he’s never forgotten that journey.

Then I read Peter Ackroyd’s London: The Biography, which asserts that “London has always possessed a reputation for violence; it stretches back as far as the written records.” Ackroyd mentions attacks on foreigners, assaults on tax-collectors, “endemic” violence amongst the populace, casual scraps between children in the street (egged on by parents), professional female sword combat, and eighteenth-century mobs bent on destruction. And he concludes with a description of the Gordon Riots, a political demonstration that swelled into a weeks-long rampage:

Workmen, putting down their tools, apprentices, rising from their benches, boys running errands, all joined different bands of rioters. They believed that, because they were so many, they could not be caught. Many of the participants were in turn motivated “by poverty, by ignorance, by the love of mischief, and the hope of plunder”… once one breach had been made in the secruity and safety of the city, others would follow. The city enjoyed a very fragile equilibrium, and could be rendered unsteady in a moment.

The story ends with a mob of “at least a hundred thousand poor, miserable, ragged rabble, from twelve to sixty years of age… besides half as many women and children” looting and setting thirty-six major fires that killed hundreds. It took the military to restore order. The year? 1780.

The Mob destroying & Setting Fire to the Kings Bench Prison & House of Correction in St Georges Fields, © The British Library

I don’t have a tidy conclusion or enriching lesson to draw from all this. Like nearly everyone, I find it thoroughly disheartening. But at the same time, the riots seen in historical context become much less startling overall, don’t you think?

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The Traitor has landed!

Wednesday, August 3rd, 2011

In the UK, anyway. (Australians, you’ll get your edition in November. North Americans, we’re waiting for spring 2012.)

To celebrate Traitor‘s debut, here’s a deleted scene from the novel. This is a scene that I love, but had to cut when I moved the novel’s setting from November 1859 to February 1860. I initially wanted to set Traitor around Guy Fawkes Day but the timing just didn’t work out, because of other historical events I wanted to include in the backdrop. Maybe another time…

Anyway, here it is. I hope you enjoy it!

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The Traitor, revealed

Tuesday, July 5th, 2011

Hello friends!

In just one month, the third Mary Quinn mystery, The Traitor and the Tunnel, will be published in the UK. Yes, there’s still a long-ish wait for us North Americans (spring ’12), but I hope you’ll find it worthwhile. Candlewick Press are busy shooting the cover, which I hope to get a peek at soon.

I recently heard from an Australian reader, gently ticking me off (in the most charming way possible) for not mentioning Australian pub dates. Mea culpa, Crystal, and I won’t forget again! Traitor will be published there in November. And I was delighted to hear this past week that The Body at the Tower has been long-listed for an Australian teen readers’ award, the Inky. Woot! (Or is there a more appropriately Australian noise of celebration?)

In the meantime, let’s countdown to the UK release (and tide over Americans and Canadians until spring 2012) with this excerpt from Traitor. Hope you enjoy it!

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