Context: When James Easton goes to India, he catches a severe case of malaria. On the voyage home, still just recovering from his illness, he becomes acquainted with Jeremy and Sybil Alleyn, a brother-and-sister duo who were raised in India. Sadly, Body became very long and one of the things I had to cut was the Alleyns’s appearance. I do, however, have high hopes for them. This won’t be the last time you see them.

There’s nothing spoiler-ish here, so you can read with impunity. When you’re done with this scene, read the official excerpts from the finished novel, if you haven’t already!

Click here for the deleted scene from The Body at the Tower

Click here for an excerpt from Body

Download the prologue & first chapter from Candlewick Press

1) A family funeral,

2) The wedding of a dear friend, and

3) My first meeting with a nephew who was born last year.

Being confronted with Major Life Events always makes me reel, but don’t worry – I’m not going to wax overly philosophical. What struck me this evening is how very Victorian this triad of events is, yet how much our expectations have evolved over a century.

The nineteenth century was an age of high infant mortality, lower life expectancy, contagious diseases, and relatively primitive medical care. As a result, death was a frequent and familiar sort of terror. A Victorian person of my age would likely have known multiple deaths within her family and circle of friends, through both accident and illness. I’m downright insulated in comparison, something I never think of without a shiver of relief.

Marriage is still an important rite of passage but once again, it’s changed so much. Women and men think hard about whether they want to marry, and whom. They create and dissolve contracts as they choose. And the word “spinster” is seldom heard anymore, except in legal documents. Much as we agonize about relationships, they’re so easy now because we have such freedom of choice. In contrast, when a young Victorian woman entered into marriage, she was transferred from the legal power of her father to that of her husband. She couldn’t own property in her own name, until 1882. And if her husband was abusive or negligent, it was extremely difficult for her to obtain a divorce.

Childbirth is incredibly safe, in the year 2010. In affluent countries, maternal death in childbirth is rare. Newborns generally live. And when babies are born ill, our first question is, “How can we heal them?” rather than, “Will they live?” Once born, we expect healthy babies to thrive; the first year is no longer a gamble.

So while I’m feeling bruised by this sudden confluence of turning points, I’ve got nothing on the Victorians.

This week in reviews:

The first blog review for The Body at the Tower is up! Librarian Jennifer Rummel (aka YA Book Nerd) says, “I ADORE this series… I just want MORE (and quickly!).” Body will be published in the US/Canada by Candlewick on August 10, and in the UK by Walker Books on 6 September.

Joanne missed her best-friend-from-high-school’s wedding by 7 days. Eek!

Steph almost missed a transatlantic flight by 24 hrs.

Mary, Penny, and Christie have missed doctor’s appointments by pretty wide margins.

Ari’s family was 4 hours late to an event they thought was the next day (which makes them early, kind of…)

Lizzy was late to a grad school interview. (She got in anyway – yay!) Love the detail about driving for an extra 2.5 hours on Earth Day.

Tara was 2 hours late to her own wedding reception and blames her husband’s wardrobe malfunction. (Oh, sure…)

Sanjana missed an international flight by a good few hours, while idling in a coffee shop. Ouch.

Spav was 2 hours late for a flight because of a snowstorm – in Madrid!

BrittLit and Barbara keep it simple: just oversleep.

Sarah took a major detour to the starting line of a cross-country race – that’s a great image.

And there’s Rebs, who missed the contest deadline by 24 hrs, which is kind of awesome in itself.

But my favourite tardy story here is Griffin’s, who managed a tour of 2 countries and 3 states in a snowstorm, yet never quite made it to his meeting. As he says, “we spent almost two full days driving, never reached our destination and became a cautionary tale for others”. Now THAT’s epic.

The randomly drawn winner is Steph Burgis. Yes, she’s a friend. But I promise: her number came out of the random generator. Congratulations, Griffin and Steph – an ARC of The Body at the Tower is on its way to each of you.

And shame on us all.

Are you always running late? I try very hard to be punctual but occasionally, bad planning and fate get the better of me. I once missed a flight out of Paris because the journey to Charles de Gaulle took 3 hours, instead of the planned 1.5. (A lovely airline employee took pity on my idiocy and put me on the next flight.) Another time, I was 60 minutes late meeting friends in Victoria, BC because I missed my ferry (I didn’t have a cell phone then; amazingly, my friends waited around the cafe for a whole hour and we met up). And then I nearly missed the ferry back, because we were having dinner and talking too much to watch the clock. Yikes. Reading this over, I sound like a pretty feckless person. But I try, I really try.

So when I was researching The Body at the Tower, I felt a mingled sense of amusement and outrage when I read that the reconstruction of the Palace of Westminster (where the Houses of Commons and Lords sit, and the site of Big Ben) ran a full quarter-century late! That’s so late it’s almost fabulous. Almost.

And that’s the theme for my new contest. To enter to win one of two ARCs of The Body at the Tower (published August 10), just leave a comment answering this question:

What’s the most shamefully, ridiculously late you’ve ever been?

or, if you’re one of those sickening, effortlessly on-time people: What’s the silliest excuse anyone’s ever given for being late to meet you?

Rules:

You may have extra entries for sharing via your blog, Twitter, or Facebook accounts (1 extra per network).

Contest closes June 30. June 15. Can’t wait to give these away!

One winner will be randomly drawn. The other ARC will go to the commenter whose reply makes me gasp aloud.

Good luck, everyone!

portrait by Sir George Hayter*

Did you know that Canadians celebrate the anniversary of Queen Victoria’s birth each year? Truly. May 24 (or the closest Monday to it) is a national holiday. It’s a bizarre little colonial hangover** but today’s the day, and I could hardly let it pass unremarked.

The real reason I’m posting today is because I’ve put up an excerpt from The Agency 2: The Body at the Tower. Click here to read! And do come back next week, when I’ll have sent off the ms for book 3, The Traitor and the Tunnel and will feel celebratory as a result. Yes, I think a contest is in order…

Hope you enjoy the snippet!

*This image is from the National Portrait Gallery. There’s some nice context for it here.

**Okay, okay – most Canadians are either doing yardwork or getting drunk and falling out of sailboats. But hey, it’s an extra stat hol.

For shame – I forgot to blog this week. (I’m cranking through the first round of revisions on The Traitor and the Tunnel – the only things I’m doing, really, are eating and writing.) Please accept my sincere apologies. On Monday, I’ll be back with an overt bribe: an excerpt from book 2, The Body at the Tower.

Until then!

This cover, like the first, was designed by Caroline Lawrence at Candlewick. When she commissioned a photo shoot for Spy’s cover, she photographed a second outfit for this novel, too. Caroline read both novels carefully and based both cover scenes – and the model’s outfits – on scenes from the books.

There’s been some discussion in the YA blogosphere about the way MQ looks – whether or not the model is an accurate choice. Without getting too spoiler-ish, I want to confirm that the model, Amber Ahlquist, definitely could be Mary Quinn. (Those of you who’ve read Spy know what I mean, right? If you want more info, email me!) Candlewick’s attention to detail here is amazing: they got MQ right and their stylist is an expert in Victorian costume. They went all out, friends, and I love them for  it.

Here are some shots from the second half of the cover shoot. I’ve been sitting on these for MONTHS (8, to be precise) and am so excited finally to share them with you!

As before, the talent in New York consisted of:

Crystal Thompson, wardrobe stylist (and I’ll say it again: she works on 30 Rock and Gossip Girl!)

Souraya Hamdi, makeup artist (also of 30 Rock)

Scott Nobles, photographer

David Gardiner, photographer’s assistant

I still find it strange that all these people I’ve never met have worked so hard on my books. It’s a humbling and glorious feeling, and I’m so grateful to them all.

This week in reviews:

Librarian Jennifer Hendzlik had low expectations but concludes, “Mary is a strong female lead that could stand head to head with any of Tamora Pierce’s fierce woman characters and the twists, turns and yes, even a love interest will keep readers engaged on many levels. I was expecting ok and I got wow instead.”

Reviewing for the Guelph Mercury, YA novelist Jean Mills says, “readers will love the intrigue and hints of romance in this mystery set in nineteenth-century London, where privileged young ladies wore lace and poured tea, while their less-fortunate counterparts struggled to survive. Marriage proposals, pickpockets, tea parties and pirates — A Spy in the House delivers a rollicking read.”

As a result, I’d no idea what to expect at my first book club meeting as an author. What can I tell you?

First, that it may be all about the food. Seriously: 8 women. Snacks for, ooh, 16? It was heaven.

Second, that they had all read Spy (or did a great job pretending) and had tons of questions. And they asked me things I’d never thought about – for example, what’s the backstory on the primary agent whose territory Mary Quinn treads on? My brilliant answer: “Um, I haven’t thought about her much.” I think I’d better get on that.

Third, I totally cracked: I’m not supposed to reveal the Candlewick cover for The Body at the Tower yet, because it’s not quite ready. (Soon, soon.) But I brought an ARC and flashed it around shamelessly. The bookclubbers were very kind and humoured my delirious babbling about the story behind the cover. Thanks, ladies.

I had such a great time, thanks to Jennifer O’Donnell who invited me, and Marcia Irving who hosted. It was terrific to meet all of you and I hope you keep in touch! (And thank you very much for the lovely bottle of wine! You really shouldn’t have, but I’m secretly very glad you did.)

This week in reviews:

Bookseller Ben McNally says Spy is “accomplished and believable. Mary Quinn and her supporting cast are developed with care and craft, and the plot is polished and quick.” Notes from a Book Addict, at BookLounge

The charmingly named NerdGirl is “on the edge of my seat waiting for the next book”!

And Ria at Tea and Tomes says the characters are “wonderfully real” and the period detail “made the story just that much more believable”.

This week, I can finally share some wonderful news from my UK publisher, Walker Books. In September, Walker will publish the second Agency novel, The Body at the Tower, with a redesigned cover:

from Walker Books, September 2010

But I just recently had confirmation that they’ll be reissuing A Spy in the House at the same time, with a matching redesigned cover. What do you think of it?

to be re-released in September 2010!

Me? I think it’s perfect.

In other news, YA historical novelist Marie-Louise Jensen highlights Spy at An Awfully Big Blog Adventure, calling it her “favourite unexpected read of last year” (it came out in the UK last April).

Flashlight Worthy and Steph Su combined forces to recommend Spy on their list of YA Novels Featuring Women from Another Era (it’s #2 on the list!).

And GAL Novelty spotlighted my recent blog tour with praise so effervescently shy-making that I can’t possibly repeat it myself. (But I’m not above linking to it, oh no…)

Thank you so much for your enthusiasm and support, friends and readers!

The Body at the Tower (Walker Books, September 2010)

I can’t decide what I like best: the period-perfect font? The way the Houses of Parliament are backlit to just the right degree of spooky/familiar? The “aged” effect around the edges? Maybe it’s just the sum total. In any case, I’m thrilled to bits (as if that wasn’t quite obvious.) And the designer, Patrick Insole (who did the cover for SPY, too), kept the old logo in the bottom right hand corner – YAY!

My second announcement today is that my friend Sarah is a genius. Specifically, she’s a paranoid-yet-deeply-rational genius who’s created a website that displays the contents of her brain in a terrifying yet witty manner. She is The Catastrophizer and I suggest you study with her forthwith.