Archive for the ‘Writing’ Category

Marriages, births, deaths

Thursday, June 24th, 2010

The next couple of weeks hold, for me:

1) A family funeral,

2) The wedding of a dear friend, and

3) My first meeting with a nephew who was born last year.

Being confronted with Major Life Events always makes me reel, but don’t worry – I’m not going to wax overly philosophical. What struck me this evening is how very Victorian this triad of events is, yet how much our expectations have evolved over a century.

The nineteenth century was an age of high infant mortality, lower life expectancy, contagious diseases, and relatively primitive medical care. As a result, death was a frequent and familiar sort of terror. A Victorian person of my age would likely have known multiple deaths within her family and circle of friends, through both accident and illness. I’m downright insulated in comparison, something I never think of without a shiver of relief.

Marriage is still an important rite of passage but once again, it’s changed so much. Women and men think hard about whether they want to marry, and whom. They create and dissolve contracts as they choose. And the word “spinster” is seldom heard anymore, except in legal documents. Much as we agonize about relationships, they’re so easy now because we have such freedom of choice. In contrast, when a young Victorian woman entered into marriage, she was transferred from the legal power of her father to that of her husband. She couldn’t own property in her own name, until 1882. And if her husband was abusive or negligent, it was extremely difficult for her to obtain a divorce.

Childbirth is incredibly safe, in the year 2010. In affluent countries, maternal death in childbirth is rare. Newborns generally live. And when babies are born ill, our first question is, “How can we heal them?” rather than, “Will they live?” Once born, we expect healthy babies to thrive; the first year is no longer a gamble.

So while I’m feeling bruised by this sudden confluence of turning points, I’ve got nothing on the Victorians.

This week in reviews:

The first blog review for The Body at the Tower is up! Librarian Jennifer Rummel (aka YA Book Nerd) says, “I ADORE this series… I just want MORE (and quickly!).” Body will be published in the US/Canada by Candlewick on August 10, and in the UK by Walker Books on 6 September.

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Endings & beginnings

Thursday, March 18th, 2010

There’s still time: enter the “If I were a spy…” contest here!

This is, appropriately enough, a week of both endings and beginnings. My final stop in the T2T blog tour is at Ticket to Anywhere, where I guest-blog about that most Victorian of fashion items: the corset. True or false? Prince Albert wore one. Also, blog host Irish reviews Spy and gives it four stars for being “hard to put down”. Hurray!

I’ve been busy elsewhere, too. Shades of Romance Magazine interviewed me and I talked about Things I Learned at My Book Launch Party at BookLounge.
The Agency: A Spy in the House

On Tuesday, I had my first, real-life confirmation that I’m not, in fact, hallucinating everything: while driving from Toronto to Kingston, I stopped in Belleville for a coffee at the Organic Underground and a sly little mission to Greenley’s Book Store, a gem of an indie. And there it was.

Does this ever become a routine and ho-hum experience? I certainly hope not.

I’ve just finished reading Philip Hensher’s The Mulberry Empire and am still recovering from the experience. It’s a swaggering, playful, beautifully postmodern (as opposed to annoyingly, pretentiously postmodern) homage to the Victorian three-volume novel; it’s a joke about Boy’s Own Adventures; it is MAGNIFICENT. Please, please, read it and come back to discuss.

I received an ARC of Lisa Mantchev’s Perchance to Dream in the mail this week. Huzzah! I thought Eyes Like Stars was terrific – so much so that I’m going to save PtD until I’ve finished my own book 3 in a few weeks. Not only will it be a delicious treat, but I won’t be tempted to write obnoxious fairies into my own novel in an insane act of homage.

Finally, a lot of new and lovely reviews of Spy are popping up everywhere – hurray again! I’ve included snippets below, with links where available.

The trade publications:

“Woven throughout the cloak-and-dagger play is plenty of flirtatious repartee, and even the most perilous of adventures is leavened with a comic edge that winks at the mystery genre.” Bulletin of the Centre for Children’s Books

“Historical details are woven seamlessly into the plot, and descriptive writing allows readers to be part of each scene.” School Library Journal

The bloggers:

Susan of Readspace, a diehard mystery fan, is “thrilled that this series is being published for young adults.  Unlike adult fiction, there are few high quality true mysteries to offer teens… In my opinion, this could just as easily been picked up by an adult mystery imprint, that’s how good it is.”

Kelly Peres of Midnight Glance was initially suspicious, but I converted her! She admits, “I went in with a closed mind on the topic, but I have to say Y.S. Lee captivated me from the first chapter to the end.”

A Patchwork of Books calls it “a brilliantly addictive plot filled with twists and turns, as well as high fashion, old money, and handsome gentlemen… If you’re a fan of The Luxe or just a lover of good mysteries or historical fiction, this is a fantastic choice.”

The Passionate Booklover “really loved this captivating tale and I wanted to read more about Mary and her fascinating adventures!”

The Unread Book says, “The story twists and turns and every time you think you have figured it out Lee throws you another curveball.”

Milk and Cookies calls it “a great new series to look forward to!”

I’d call that a great – and full – week. And now, if you’ll excuse me, I have a novel to write. See you next Thursday!

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Blog tour: Victorians and Opium

Friday, March 12th, 2010

If you were a spy, what would YOU do? Tell me to win swag!

Rebecca Herman of Rebecca’s Book Blog was one of the first book bloggers to notice Spy when the British edition was first published in 2009. You can check out our interview here – a first for both of us, I think! Today, I’m delighted to be Rebecca’s guest once again and I’m talking about the Victorian uber-drug, opium. It wasn’t just for the hookah-smoking avant-garde

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Blog tour: the Great Stink

Thursday, March 11th, 2010

The “If I were a spy…” contest rolls on! Enter here.

Today, the T2T blog tour takes me to the Story Siren, where Kristi found Spy “enthralling” and “a great start to a series”. Hurray! You can read the rest of her review here.

Also at the Story Siren, I’ve written a guest post about the Great Stink of 1858, which is the setting for Spy. Yes, “the Great Stink” was its real name. See you there!

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Today’s the day

Tuesday, March 9th, 2010

Looking for the “If I were a spy…” contest? It’s here.

The day has come – the North American publication date for The Agency: A Spy in the House! As a result, I am all over the intertubes:

The T2T blog tour takes me to Chick Lit Teens where Jessica reviews Spy, calling it a “true gem”. I’m also a guest-poster here, and my subject today is Victorian Hygiene. Warning: this one’s not for the queasy.

I’m also at Book Chick City, explaining why – despite my love of things Victorian – I’m glad I live in the present day. This one’s also a bit grimy.

Paul Grimsley interviews me at In To Views (the Arty interview)

The Catastrophizer forces me to ponder failure and death (the Angsty interview).

And tonight, we’ll be celebrating with a party. Novel Idea Books will be there, selling copies for those who wish to purchase. Body Now 4 Mums and Kids is hosting us in their lovely harbourfront studio. And Candlewick Press is the hero of the day because without them, none of this would be happening. Please join us if you can!

Tuesday, March 9

7.30 to 10pm

61 Yonge St., Portsmouth Village, Kingston

To recap: today will be a True Gem of Queasy, Grimy, Arty Angst. Party to follow.

Perfect.

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Blog tour: Victorian Poverty

Monday, March 8th, 2010

If you were a spy, what would you do? Enter my contest here!

My book launch party is tomorrow night! Will you be there?

Welcome to the second week of my blog tour. Today, I’m Cecilia’s guest at the Epic Rat, where I talk about about Victorian Poverty. Cecilia reviews Spy, too, calling it “stunning” and “vivid”. Thanks for having me, Cecilia, and happy Monday, everyone!

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Blog tour: do you eat dessert first?

Friday, March 5th, 2010

If you were a spy, what would YOU do? Tell me to win loot!

My book launch party is on Tuesday, and you are invited.

I wrote a quiz for writers that Stephanie Burgis calls “freakily accurate”. Eating and writing – they are connected! The quiz is up at Teenreads.com So… do you eat dessert first?

And on the 6th day of my blog tour, I’m Leslie’s guest at That Chick that Reads. She interviews me here, and reviews Spy here. Thank you for having me to visit, Leslie, and for encouraging me to talk about my freaky elbows (among other things). And thanks for the 5-paw rating!

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Blog tour: Victorian Child Labour

Thursday, March 4th, 2010

The “If I were a spy…” contest continues. Click here to win swag!

My book launch party is on Tuesday. Care to attend?

Quick question: 6-year-olds make great babysitters – true or false? Today’s blog post is happening right here:

Extreme Child Labour, Victorian-style

How old were you when you got your first job, and what was it? Babysitting at the age of 12? Weeding your grandmother’s flowerbeds at age 10? Mine was cleaning my parents’ bathroom when I was 11. I hated it. Hated it. Hated it. Every Saturday morning. Not optional. But at least they paid me ($5) – and at least I wasn’t a poor child in Victorian England.

Child labour was routine for the Victorian poor. A six-year-old might be responsible for looking after other, younger children, then graduate to minding a neighbour’s flock of sheep at the age of 8. Notice the hierarchy, here: you had to be older and more responsible to look after livestock, because they were more valuable than kids! In a different district, work might involve crawling through a coal mine, because skinny bodies and tiny fingers were good at collecting little bits of coal. Urban children went to work in factories, where their small fingers were useful once again – until they lost them in industrial accidents, and were thus unemployable.

It wasn’t that children’s labour was particularly valuable – they earned much lower wages than women, who in turn earned less than men (for the same work). And it wasn’t that parents thought their kids might as well be useful. But going to school cost money, and most poor families simply couldn’t afford it. Even the pennies earned by their children were essential to paying for basics, like rent and food. Alfred Quigley, a minor character in my novel, A Spy in the House, earns a bit more running errands and delivering messages, but his incentive is the same: to help his widowed mother pay the bills.

Child labour was a frequent subject of concern for Victorian social reformers. In 1847, a new law limited the working day to 10 hours for children and adults! And despite its end in affluent countries like Britain and the States, it continues today in poor countries. I, for one, should still be grateful that I’m not a poor child in China.

Today’s blog tour takes us to Books by their Covers, where Yan finds Spy too slow. Oh, well. Lukewarm and negative reviews are often interesting for what one learns – if not about the novel, then about the reviewer.

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“Where do you work?” & bookplates

Thursday, January 7th, 2010

I used to be one of those coffee shop people, hunched over a black coffee and rattling away at the keyboard. But no longer! For I now have a study, and it’s a delicious shade of blue (Benjamin Moore’s Yarmouth Blue, if you care), and all I have to do now is try to keep it as zen as it appears here.

the new study

Hah.

In other news, I have BOOKPLATES! These are basically large & fancy stickers with a blank space for personalization. If you’d like me to sign or inscribe your copy of The Agency but don’t think you’ll see me in person for a while, feel free to request one. You need to tell me exactly what you want the bookplate to say: just my signature? “For Pinkie, a goddess amongst mortals”? “To the winning eBay bidder”? As you can see from the foregoing examples, I’m rubbish at clever dedications, so it’s up to you. The design looks like this:

bookplate

I’m a sucker for old botanical drawings. And weeds. So this was pretty much a foregone conclusion. I hope you like it, too!

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“Where do you get your ideas?”

Wednesday, November 25th, 2009

The short, annoying answer is, “from my head”. While that’s true, I realize it’s neither helpful nor illuminating, so I’ll try to be a bit more specific.

If you and I were to go to the same film/lecture/bare-knuckle boxing match, we’d notice different details. Then we’d interpret and prioritize our experiences in different ways. So everything I’ve ever written comes from some experience of mine – something I read or saw or overheard. But it all gets processed in the back of my brain and spewed out later as something quite transformed. As the novelist Frances Trollope said, “Of course I draw from life – but I always pulp my acquaintances before serving them up. You would never recognize a pig in a sausage.”

mmm... sausages

mmm... sausages*

To get even more specific:

  • I set A SPY IN THE HOUSE during the Great Stink of 1858 after reading about Benjamin Disraeli fleeing the House of Commons with a handkerchief over his nose, so ghastly was the stench
  • I made The Agency a women’s detective agency because I wanted to write about an elite, exciting, all-female institution. It was a reverse-inspiration, since the prestigious organizations and clubs of the period were generally all-male.
  • I made Mary’s father a sailor after reading an academic article (Laura Tabili’s “‘Women of a Very Low Type’”) that talked about the children of common-law marriages between sailors and poor women in Liverpool

When I answered this question in a high-school presentation, the follow-up question was, well, how is that different from plagiarism? Great question! Plagiarism is stealing specific ideas and/or language from others, and presenting them as your own. In these examples, I’ve been inspired by specific things but used them as jumping-off points for my own ideas. I would never claim to be the originator of those first, inspirational anecdotes, facts or articles. And, obviously, I describe my own ideas in my own words.

All this brings us to a cliche that’s completely true: there are no new ideas. Other people have written about the Great Stink, women’s detective agencies (though I didn’t read Dorothy L. Sayers until after I’d written the first draft of SPY) and orphaned sailor’s daughters. So if there’s a bottom line, it’s this:

  • all ideas come from somewhere
  • keep track as best you can
  • give credit to your inspirations and your sources
  • yes, the ideas from “from my head”

*The butcher’s diagram comes from Zazzle, where you can buy it as a postcard.

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