Hello, friends! I had an absolutely splendid time this past weekend at Scene of the Crime, and thought I’d share what I could with you. I had a great “handler” at the festival (basically, a person assigned to make sure the visiting author is supplied with coffee and doesn’t get lost), a Wolfe Islander named Kristina, but I forgot to ask her to take some photos while I was reading & panelling, so mea culpa for the absence of pics.
Scene of the Crime has a perfect setting: Wolfe Island. Wolfe is the largest of the Thousand Islands, it’s a gorgeous ferry-ride from Kingston (excitingly remote!), and it’s the kind of island where everybody knows everybody and everything is connected. All ten authors stayed at the same B&B. YOU GUYS. Could someone please write a cozy, locked-room mystery featuring ten mystery writers in a rural B&B? Thank you.
When I asked organizer Violette Malan how many people she was expecting, she waved her hand and said, “Craploads. Actually, we’re at capacity. We never turn anyone away, but we can only guarantee meals for 100.” This is the genius thing about SotC: it’s small, it’s friendly, and there’s zero room for pretension. I got to chat – really chat – with readers. I learned that some bookclubs do road trips together (hello, Jane and the Stratfordians!). Another reader & writer (hi, Susan!) taught me the finer points of church hall dinners (tip: snag your pie at the beginning of the meal. You get the best selection, plus you can go back for seconds while looking all innocent). And, speaking of church-lady dinners, we were so very well fed. I’m in awe of the SotC Board and volunteers, who worked incredibly hard and made everything look so very easy. Thank you for inviting me!
My fellow authors at SotC were Thomas Rendell Curran, who writes detective fiction set in pre-Confederation Newfoundland – a setting that, as he says, completely justifies description of the weather in a novel’s opening; D. J. McIntosh, author of The Witch of Babylon, who offered the most succinct writing advice I’ve heard in some time: on the first page of your crime novel, “avoid boredom”; and John Moss, who writes the Quin & Morgan series set in Toronto, and who is fascinating on the subjects of old limestone houses, swans, and beekeeping.
Then there were the ladies. Not just any ladies, but the Ladies Killing Circle. They crack jokes. They wonder – very seriously – whether there is enough wine. And they represent, among other things, two decades of crime fiction written by Canadian women. When accepting their Grant Allen Award for contributions to Canadian crime writing, member Vicki Cameron explained that in the early 1990s, it was incredibly difficult for women writers of crime fiction to be taken seriously, let alone get published. So the LKC (which began as a critique group) called for submissions and edited their own anthology, also called The Ladies Killing Circle. This wasn’t vanity publishing: stories from each of their seven anthologies have won mystery-writing awards. And they’ve launched the careers of a number of Canadian writers, as a result.
The Ladies are vicious in name only; you couldn’t find a more welcoming, generous, congenial group of authors. And they’ve inspired me to work at building my own writing community. In fact, that’s one of my goals for this fall.
So that was my Scene of the Crime 2012. What are you up to, in the dwindling weeks of August?